This paper examines the versification style of the Romansh poet Andri Peer, who can be considered as the first “modern” poet of the Romansh literature. It focuses on Andri Peer’s most frequently used verse lines in his early free forms: the heptasyllabic and hendecasyllabic verse. A rhythmical analysis of the single verse instances revealed that the internal organisation of the line is not very elaborate. In the case of the heptasyllables found in his early free forms, only four patterns make up over 80% of all heptasyllabic verses. Regarding Peer’s hendecasyllables, it is shown that his arrangement of the prominent syllables is rather regular, especially in comparison to the hendecasyllables of his precursor Peider Lansel. This trend in Peer’s versification to use fixed dispositions of syllables is interpreted as a compensation for the loss of other structural features such as the stanza or the rhyme.

中文翻译：

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罗曼什诗人安德里·佩尔（Andri Peer）的著作：早期自由形式的七变音节和七十变音节

本文探讨了罗曼什诗人安德里·佩尔（Andri Peer）的诗化风格，他可以被视为罗曼什文学的第一位“现代”诗人。它着重于安德里·佩尔（Andri Peer）早期自由形式中最常用的诗句：七音节和七音节诗。对单节实例的节奏分析表明，这行的内部组织不是很复杂。就以他的早期自由形式发现的七音节而言，只有四种模式构成了所有七音节经文的80％以上。关于Peer的音节，可以看出他对突出音节的排列相当规则，尤其是与他的前任Peider Lansel的音节相比。