"On the Lived, Imagined Body" is a reflective remembering from the point of view of a movement performance artist's training session learning to dance with imagined wings when in her lived experience, the body of the dancer is aware somatically of moving with wings that do not actually exist. The overarching conceptualization in this article describes the inner-outer tensions, the kinesthetic, somatic, proprioceptive penetration inward and the visual-kinetic, imaginative reach outward. The landmark work from dance phenomenologist Maxine Sheets-Johnstone (1966/2015), The Phenomenology of Dance, prompted the author of this article to translate an embodied experiential and imagined event for readers who might never have had the experience of a somatic movement training of dancing with imagined wings as a lived experience. The phenomenology of dancing as if with lived and imagined wings is developed further as a result of two week-long presencing workshops taught by contemporary dancer-choreographer and somatics teacher Benoit Lachambre (2015/2016). For movement artists and dance practitioners, experiencing imaginary wings as lived wings means experiencing movement through mindful awareness and conscious intention of a praxis of somatic architecture.

中文翻译：

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关于活着的，想象中的身体：躯体建筑的现象学实践

从运动表演艺术家的训练课程中学到想象中的翅膀跳舞时，“活着的，想象的身体”是一个反思性的回忆，而在她的生活经验中，舞者的身体从身体上意识到了随着实际上不存在。本文的总体概念化描述了内外张力，向内的动觉，躯体，本体感觉的渗透以及向外的视觉动力学，想象力的渗透。舞蹈现象学家Maxine Sheets-Johnstone（1966/2015）的具有里程碑意义的著作《舞蹈现象学》促使本文的作者为那些可能从未经历过躯体运动训练经验的读者翻译了一个具体的体验和想象的事件。用想象中的翅膀跳舞是一种活生生的体验。当代舞者编舞家和体体学老师Benoit Lachambre（2015/2016）举办了为期两周的讲习班，其结果是，舞蹈的现象学像活着的和想象中的翅膀一样得到了进一步发展。对于运动艺术家和舞蹈练习者来说，像想象中的翅膀一样生活，意味着通过对躯体建筑实践的正念意识和自觉意图来体验运动。