Salsa dancing, a partnered dance premised on the felt sense of connection, is well suited to an exploration of Henry’s radical phenomenology of immanence and Heidegger’s facticity of life. Birthed in social celebratory contexts, salsa carries a particular motile freedom. What matters most is not how the dance movements are created from an outer frame of reference, but the experience of interactive responsiveness that emerges from unanticipated acts of giving life to another. Connecting to one’s partner and exuding a presence filled with life is revealed in an indepth interview with two-time world champion salsa dancer, judge, choreographer and coach, Anya Katsevman. This interview attempts to invoke the kinetic, kinesthetic and affective registers of the lividness and livingness of salsa dancing. As a phenomenological inquiry into factical life, the inter-view is presented not so much as a matter of shared perspectives or viewpoints, but more in the way of an inter-feeling, a practice of life engagement. This affectively-oriented approach provides both promise and challenge to the field of phenomenology. It invites us to delve more deeply into feeling acts of seeing. It also helps us understand how, through attending more fully to acts of seeing, we can increase the intensity with which we feel the upsurge of life.

中文翻译：

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看的感觉：莎莎舞中的实践生活

莎莎舞蹈是一种建立在感觉联系感基础上的伴侣舞蹈，非常适合探索亨利关于内在性的激进现象学和海德格尔的生活真实性。莎莎（Salsa）在社交庆祝活动中出生，具有特别的运动自由。最重要的不是舞蹈动作是如何从外部参照系中创造出来的，而是互动反应的体验，这种体验是从意想不到的赋予他人生命的行为中产生的。在两次获得世界冠军的莎莎舞者，法官，编舞和教练安雅·卡特斯曼（Anya Katsevman）的深入采访中，我们发现了与伴侣的连接以及充满生命的存在。这次采访试图唤起萨尔萨舞的生动和动感的动感，动感和情感表达。作为对事实生活的现象学研究，交互视图的呈现不只是共享观点或观点的问题，而更多是通过一种相互感觉的方式，一种生活参与的实践。这种以情感为导向的方法为现象学领域提供了希望和挑战。它邀请我们更深入地研究眼见的感觉。它还可以帮助我们了解如何通过更充分地参与观看活动来增强生活激情的强度。