ABSTRACT Kenzo Tange was deeply interested in the contemporary architectural culture and eager to incorporate, in his own formal register, typical traditional expressions. In his work, the structure of the city and the buildings is reconsidered as a ‘space of communications’, rich in symbolic values, where every form can have several meanings, and therefore have an impact on the compositional, constructive and functional approach. The plans he designed for Tokyo, Skopje and the Italian directional centres, show the fluid, technological and ever-changing dynamic that Tange experienced in 1987 in the Umbrian city of Spoleto, where he was called to submit a project to improve the urban accessibility for the old town. In Spoleto, he combined technological equipment, mechanised routes on electric sidewalks placed on the surface, in close contact with the city’s historical buildings, with particular attention to the conservation of all the stratified architecture of the historic city centre. The dialectic between the tradition and the creation, i.e. between the trend of a traditional repetition of forms and their overcoming, offers a gateway by which it’s possible to appreciate the genius of the architect and also to understand the demands of conservation from the perspective of innovation.

中文翻译：

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Kenzo Tange 和“交流空间”：从未实现的意大利斯波莱托老城区无障碍项目

摘要 Kenzo Tange 对当代建筑文化深感兴趣，并渴望在他自己的正式记录中融入典型的传统表达方式。在他的作品中，城市和建筑的结构被重新考虑为“交流空间”，具有丰富的象征价值，其中每种形式都可以有多种含义，因此对构图、建设性和功能性方法产生影响。他为东京、斯科普里和意大利定向中心设计的计划展示了 Tange 于 1987 年在翁布里亚城市斯波莱托经历的流动、技术和不断变化的动态，在那里他被要求提交一个项目，以改善城市的可达性老城区。在斯波莱托，他将技术设备、电动人行道上的机械化路线结合在一起，与城市的历史建筑密切接触，特别注意保护历史悠久的市中心的所有分层建筑。传统与创造之间的辩证法，即传统形式重复的趋势与克服它们之间的辩证法，提供了一个途径，可以欣赏建筑师的天才，也可以从创新的角度理解保护的需求.