ABSTRACT

Art has always been connected with human emotions, and fear is one of them. What kinds of narrative patterns are used to depict emotions onscreen, for instance fear? This paper explores the emotion of fear, which predominates in a number of recent Russian TV series, by examining the language of fear onscreen in the intricate interaction of real-life schemata and fantasy, as well as the place of so-called ‘fear-narratives’ in broader contexts related to certain types of events and situations. It describes the tendency in recent Russian TV series, that can be called ‘Russian noir’, which plays with the emotion of fear, and seeks to answer the question, whether there are any differences in depicting and inducing the emotion of fear between the small screen and the big one.

摘要

艺术一直与人类的情感联系在一起，恐惧就是其中之一。什么样的叙事模式被用来在屏幕上描绘情感，例如恐惧？本文通过考察现实中图式和幻想之间错综复杂的互动中屏幕上的恐惧语言以及所谓的“恐惧”的位置，来探讨恐惧情绪，这种情绪在最近的俄罗斯电视连续剧中都占主导地位。与某些类型的事件和情况相关的更广泛的叙述。它描述了最近的俄罗斯电视连续剧中的一种趋势，该趋势可以称为“俄罗斯黑色电影”，它与恐惧情绪有关，并试图回答这个问题，即小孩子之间在描绘和诱发恐惧情绪方面是否存在差异？屏幕和大屏幕。