In this article the authors present their sound art project Nephew vs. Overheard as an exploration of a messy, fragile and incoherent local approach to public ecological art, an approach that aims at creating links of affectivity with technological creatures, such as large wind turbines, with which we share our landscape. Supplementing, as well as challenging, the dominant global strategy of ecological art, the authors argue that it is essential to experiment with transductive chains of local environmental data, creating sensibilities that we can relate to in our everyday environments.

中文翻译：

---

Transductive Wind Music：用风力涡轮机分享丹麦风景

在这篇文章中，作者展示了他们的声音艺术项目 Nephew vs. Overheard 作为对混乱、脆弱和不连贯的地方公共生态艺术方法的探索，这种方法旨在与技术生物（例如大型风力涡轮机）建立情感联系，与我们分享我们的风景。作为对生态艺术占主导地位的全球战略的补充和挑战，作者认为必须试验当地环境数据的转导链，创造我们可以在日常环境中产生的敏感性。