Nam June Paik was a pioneering creator of interactive sound art before he became a cult figure in the field of video art. While Paik gradually developed interactive sound art in West Germany, he wrote several articles about contemporary music in Europe. Specifically, a musique concrète article for Korean readers is significant as a seed of his interactive projects. This study examines the content of the music article and articulates the relationship between musique concrète and Paik’s interactive sound projects: Record Shashlik (1963) and Random Access (1963).

中文翻译：

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Nam June Paik 未发表的韩国文章和他的互动音乐具体项目

Nam June Paik 在成为视频艺术领域的狂热人物之前，是互动声音艺术的先驱创造者。Paik 在西德逐渐发展了互动声音艺术的同时，他还写了几篇关于欧洲当代音乐的文章。具体来说，一篇针对韩国读者的具体音乐文章作为他的互动项目的种子非常重要。这项研究检查了音乐文章的内容，并阐明了具体音乐与 Paik 的交互式声音项目之间的关系：Record Shashlik (1963) 和 Random Access (1963)。