ABSTRACT

Cultural Europeanisation in Peru has been an aspiration since its independence in 1821. Until 2010 the only institution of higher musical education in Peru had classical European music on a pedestal, rejecting all others, but especially indigenous Andean music. And for the Peruvian state, since its beginnings, the major forms of musical arts were considered to be an expression that originated in the recent history of Europe. This Eurocentric approach was challenged in several instances, such as the revolutionary regime of Velasco Alvarado which rose to power in 1968, that established a series of laws geared towards the building of a new sense of national culture and identity, including music. But also by other initiatives undertaken by the recently created Ministry of Culture in 2010, that makes it possible to hint a path towards the decolonisation of cultural institutions on Peru.

摘要

自 1821 年独立以来，秘鲁的文化欧洲化一直是一个愿望。直到 2010 年，秘鲁唯一的高等音乐教育机构都将古典欧洲音乐置于基座上，拒绝所有其他音乐，尤其是安第斯本土音乐。而对于秘鲁国家来说，自成立以来，音乐艺术的主要形式被认为是起源于欧洲近代历史的一种表现形式。这种以欧洲为中心的方法在若干情况下受到挑战，例如 1968 年上台的 Velasco Alvarado 革命政权制定了一系列旨在建立新的民族文化和认同感的法律，包括音乐。但也通过最近成立的文化部在 2010 年采取的其他举措，