This essay examines a modern artistic interior created by The Omega Workshops Ltd. (1913–19), an artist-led coterie that focused on a particular type of “modern” artistic interior decoration, and the design of the individual items necessary to it, for the little-known play The Wynmartens, written by Richard Henry Powell (1884–1915) and opened on the British stage in May 1914. Newly “discovered” photographs are analyzed to reveal how The Omega Workshops helped stage an interior which brought the first “advanced” and Post-Impressionist-inspired interior to British theatergoers. The Omega Workshops’ motivations for diversifying and taking up such a project are considered, as is the capacity of the dramatic stage as a potentially lucrative platform for modern artists and interior designers. It concludes by considering the possible reasons for the disappearance of this project from histories of The Omega Workshops.

中文翻译：

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欧米茄工作室和英国舞台上的现代艺术内饰，1914-1918 年，特别提到了 Wynmartens（1914 年）

本文考察了由 The Omega Workshops Ltd. (1913–19) 创作的现代艺术室内装饰，这是一个以艺术家为主导的小圈子，专注于特定类型的“现代”艺术室内装饰，以及对其所需的单个物品的设计，由理查德·亨利·鲍威尔（Richard Henry Powell，1884-1915 年）创作的鲜为人知的戏剧 The Wynmartens 于 1914 年 5 月在英国舞台上开演。对新“发现”的照片进行分析，以揭示欧米茄工作室如何帮助举办室内设计，带来了第一个英国剧院观众的“先进”和后印象派风格的内饰。Omega Workshops 多元化和开展此类项目的动机被考虑在内，以及作为现代艺术家和室内设计师潜在利润丰厚平台的戏剧舞台的能力。