Abstract

The vision of Andalusia found in Lorca’s Romancero gitano and the related ‘Conferencia-recital’ is best understood in the context of a long history of writings that present a variety of different perspectives: from the Romantic envisioning of Andalusia, the Generation of 1898’s exaltation of Castile, pre-modernista colorismo, the modernismo of Sánchez Rodríguez and Juan Ramón Jiménez, and andalucismo, through to several ‘theories of Andalusia’. Parallel to this run the main stages of research into cante jondo, a genre often held to express ‘alma andaluza’. Both traditions stress the many historical ‘layers’ of Andalusian civilization, leading to the notion of atavism.

摘要

在洛尔卡的Romancero gitano和相关的“Conferencia-独奏会”中发现的安达卢西亚的愿景最好在呈现各种不同观点的长期著作的背景下得到最好的理解：从安达卢西亚的浪漫想象来看，1898 年的一代对安达卢西亚的崇高卡斯蒂利亚，前现代主义色彩主义，桑切斯罗德里格斯和胡安拉蒙希门尼斯的现代主义，andalucismo，直到几个“安达卢西亚理论”。与此并行的是对cante jondo的主要研究阶段，这是一种经常用来表达“alma andaluza”的流派。这两种传统都强调安达卢西亚文明的许多历史“层次”，从而导致返祖主义的概念。