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Early encounters
Orbis Litterarum Pub Date : 2021-07-26 , DOI: 10.1111/oli.12318
Erika Fischer‐Lichte 1
Affiliation  

This essay discusses two early encounters of theater that took place in different parts of the world at approximately the same time: in the German-speaking countries in Europe and on the islands of Japan in Asia during the second half of the sixteenth century and the first decades of the seventeenth century. In both cases a particular kind of “national” theater emerged from these developments, which was able to embrace elements of highly diverse origins: Johann Wolfgang von Goethe’s Weimar theater plays and devices from different European performance cultures, and Izumo no Okuni’s kabuki elements stemming from a range of genres, including the Christian mystery plays. These new forms, recognized as a national theater, came into existence by way of intercultural performances. Ultimately, what came into being out of an “intercultural” encounter was later deemed genuinely “intracultural.”

中文翻译:

早期相遇

这篇文章讨论了大约同时发生在世界不同地区的两次早期戏剧相遇:16 世纪下半叶在欧洲的德语国家和亚洲的日本岛屿上。十七世纪的几十年。在这两种情况下,这些发展中都出现了一种特殊的“国家”剧院,它能够包含高度多样化的元素:约翰·沃尔夫冈·冯·歌德的魏玛戏剧和来自不同欧洲表演文化的装置,以及出云大国的歌舞伎元素来自一系列流派,包括基督教神秘剧。这些被公认为国家剧院的新形式是通过跨文化表演的方式出现的。最终,从“跨文化”遭遇中产生的东西后来被认为是真正的“跨文化”。
更新日期:2021-07-26
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