“Howl” continues to capture popular and academic imaginations. This article explores the categorical fault lines between modernist and postmodernist epistemologies as they are applied to Ginsberg’s poetic project. Reframing “religion” in postmodern terms, this article argues that even dominative categories and processes might be refashioned and deployed in the service of emancipatory and (counter)normative ethics and politics.

中文翻译：

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艾伦金斯伯格的耶利米德：酷儿乌托邦、宗教神话和现代主义的毁灭

“嚎叫”继续捕捉流行和学术的想象力。本文探讨了现代主义和后现代主义认识论之间的绝对断层线，因为它们被应用于金斯伯格的诗歌项目。本文以后现代术语重新定义“宗教”，认为即使是支配性的类别和过程也可能被重新塑造和部署，以服务于解放和（反）规范的伦理和政治。