ABSTRACT

The turn to materiality as an increasingly important element of the study of the Middle Ages both emerges from and responds to a range of intellectual and epistemological trends over the last forty years or so. One field which might provide fertile ground for the centering of such questions is precisely that of digital textual editing, both because of advances in the theory of critical editing and because the digital mode may offer alternative spaces to accommodate material aspects of manuscript culture to those of printed editions. In what follows then, I aim to review what digital critical editing of iberomedieval works has done so far, and what the future might hold for materiality in digital iberomedievalism.

摘要

将物质性作为中世纪研究中越来越重要的元素的转向，既源于过去四十年左右的一系列知识和认识论趋势，也对其作出反应。一个可能为这些问题的中心提供肥沃土壤的领域正是数字文本编辑领域，这既是因为批判性编辑理论的进步，也是因为数字模式可以提供替代空间来容纳手稿文化的物质方面而不是那些印刷版。在接下来的内容中，我的目标是回顾迄今为止对伊比利亚中世纪作品的数字批判性编辑所做的工作，以及数字伊比利亚中世纪主义的物质性未来可能会发生什么。