In Turkish Kaleidoscope, social anthropologist and novelist Jenny White has expanded her repertoire to the graphic novel format to create an account of the violence and political chaos that pervaded Turkey in the late 1970s.2 White builds here on her academic work and her own student experience at Hacettepe University in Ankara. Artist Ergün Gündüz has created visual interpretations of place, space, events, and emotions that bring the story to life. This review is a collaborative class exercise for “Turkey: From Atatürk to Erdoğan” at Brandeis University in the Spring 2021 semester. It reflects on the novel as a text for Turkish history; the format of the work; the aesthetic choices of artist and author; and the experience of encountering this work in the contemporary historical moment. The review incorporates student comments as direct quotations. It was co-authored by Chris Martin, a student in the course.

在《土耳其万花筒》中，社会人类学家和小说家珍妮·怀特将她的剧目扩展到了图画小说的形式，以创造对 1970 年代后期遍及土耳其的暴力和政治混乱的描述。2怀特在这里建立在她的学术工作和她自己在安卡拉 Hacettepe 大学的学生经历的基础上。艺术家 Ergün Gündüz 对地方、空间、事件和情感进行了视觉诠释，使故事栩栩如生。这篇评论是布兰代斯大学 2021 年春季学期“土耳其：从阿塔图尔克到埃尔多安”的协作课堂练习。它反映了这部小说作为土耳其历史的文本；作品的格式；艺术家和作者的审美选择；以及在当代历史时刻遇到这部作品的体验。该评论将学生的评论作为直接引语纳入其中。它由该课程的学生 Chris Martin 合着。