Abstract:

In this article, I examine siren eun young jung’s Yeoseong Gukgeuk Project, an ongoing contemporary art project about yeoseong gukgeuk, a Korean all-female performance form whose survival in the twenty-first century is marked by precarity. Situated at the intersections of archival documentation, ethnography, and visual art, I conceptualize the Yeoseong Gukgeuk Project as an archive of affect which establishes inter-Asian queer solidarities, mediated through reflections of my own encounters with the project at the Korea Artist Prize 2018 exhibition.

中文翻译：

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Yeoseong Gukgeuk 项目中的跨国酷儿团结和矛盾影响

摘要：

在这篇文章中，我将审视 Siren Eun Young Jung 的 Yeoseong Gukgeuk Project，这是一个正在进行的当代艺术项目，关于 Yeoseong Gukgeuk，这是一种韩国全女性表演形式，其在 21 世纪的生存以不稳定为标志。位于档案文献、民族志和视觉艺术的交汇处，我将 Yeoseong Gukgeuk 项目概念化为建立亚洲酷儿团结的情感档案，通过我自己在 2018 年韩国艺术家奖展览中与该项目的遭遇进行反思.