ABSTRACT

Goethe had lifelong unhappy memories of his early riding lessons at the Frankfurt Marstall. Yet not only did he become a passionate rider later, but he also held riding in unusually high esteem as a veritable form of ‘art’. In his literary works, riding serves as a complex symbol of, among other things, a prudent, measured style of government, an analogy that was also drawn in early modern equestrian theory. Above all, however, according to his understanding of art, riding can be located not only in the early modern system of the artes, but also in the contemporary aesthetics of autonomy.

中文翻译：

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歌德与马术美学

摘要

歌德对他在法兰克福马斯托尔的早期骑术课有着终生不愉快的回忆。然而，他不仅后来成为了一个充满激情的骑手，而且他还将骑术视为一种名副其实的“艺术”形式，受到了非同寻常的推崇。在他的文学作品中，骑马是一种复杂的象征，尤其是一种审慎、有节制的政府风格，这一类比也出现在早期现代马术理论中。然而，最重要的是，根据他对艺术的理解，骑马不仅可以定位于早期的现代艺术体系，还可以定位于当代的自治美学。