• Contributors

A.J. Berkovitz is a scholar of Jewish Antiquity. His research explores Jewish texts, traditions and history from the formation of the Hebrew Bible until the rise of Islam. He received his Ph.D. in Religions of Mediterranean Antiquity from Princeton University and a BA/MA in Jewish Studies/Bible from Yeshiva University. His forthcoming book, A Life of Psalms in Jewish Late Antiquity (University of Pennsylvania), explores the history of Psalm reception in late ancient Judaism through the lenses of materiality, exegesis, liturgy, piety and magic. The book received a Jordan Schnitzer First Book Publication Award from the Association for Jewish Studies. He is also the co-editor of Rethinking ‘Authority’ in Late Antiquity: Authorship, Law, and Transmission in Jewish and Christian Tradition (Routledge, 2018) and the author of numerous academic articles and popular essays. He was a Starr Fellow at Harvard. He currently serves as Assistant Professor of Ancient Judaism at the Hebrew Union College -Jewish Institute of Religion in New York.

Charlotte Hand is currently a Ph.D. candidate at the University of Oxford. Her research interests include nineteenth-century American literature, history of the book, gender and sexuality in the U.S., and temporal and regional politics. Her doctoral thesis examines the regional and temporal revisions of the “True Woman” (an idealized image of middle-class white femininity) in nineteenth-century women’s fiction.

Jenna M. Herdman is a Ph.D. candidate in the Department of English at Carleton University. Her research examines the intersection between Victorian print culture and the digital humanities and her doctoral work includes the development of a critical digital edition of London Labour and the London Poor by Henry Mayhew. Her work has been published in Victorian Periodicals Review and the Journal of Victorian Culture.

Sarah Lubelski is a Social Sciences and Humanities Research Council of Canada Postdoctoral Fellow at the English Department at Ryerson University (renaming in progress). Her research explores the impact of gender on the publishing industry and publishing processes, with a focus on women’s work and the feminization of the publishing profession. She has published in the journals Archivaria and Publishing History.

Jennifer Manoukian is a Ph.D. candidate in the Department of Near Eastern Languages and Cultures at the University of California, Los Angeles, and a literary translator from Western Armenian. Her research interests include Ottoman Armenian social, cultural and intellectual history, linguistic purism, and the nexus between translation studies and book history.

Vike Martina Plock is Professor of Literature and Culture at the University of Exeter. She is the author of Joyce, Medicine, and Modernity (2010), Modernism, Fashion and Women’s Writing (2017), and of The BBC German Service during the Second World War: Broadcasting to the Enemy (2021). She is currently working on a new book project on modernist writers as Penguin book authors.

Howard Rambsy II is Distinguished Research Professor of Literature at Southern Illinois University Edwardsville, where he teaches courses on African American literature, cultural history, and comic books. He is the author of Bad Men: Creative Touchstones of Black Writers (2020) and The Black Arts Enterprise (2011).

Drew Starling is a Ph.D. candidate in History at the University of Pennsylvania. His in-progress dissertation, “From Meditation to Information: Reading after Unigenitus,” considers the ways in which an early eighteenth-century religious controversy transformed reading practices in France in lasting ways. In addition to this research, he works generally on the history of authorship, printing, reading, and reception. An earlier version of this article received the University of Pennsylvania’s inaugural “Stallybrass Prize in the History of Material Texts” in 2021.

Germaine Warkentin is Professor Emeritus of English at the University of Toronto, and a Fellow of the Royal Society of Canada. She has published and reviewed on a broad range of topics: modern Canadian literature, Philip Sidney, Renaissance poetry, Northrop Frye, indigenous inscription, and most recently the Classical period, fields unified by her interest in manuscripts and the material book. Her current project is a study called “The Codex: A Critical History,” on the devising of the codex format in the early centuries of the first millennium, and its legacy up to the present digital turn.

• 贡献者

AJ Berkovitz是一位犹太古代学者。他的研究探索了从希伯来圣经的形成到伊斯兰教兴起的犹太文本、传统和历史。他获得了博士学位。在普林斯顿大学获得地中海古代宗教学位，在叶史瓦大学获得犹太研究/圣经学士/硕士学位。他即将出版的著作《犹太晚期的诗篇生活》（宾夕法尼亚大学），从物质性、解经、礼仪、虔诚和魔法的角度探讨了古代犹太教晚期接受诗篇的历史。这本书获得了犹太研究协会颁发的 Jordan Schnitzer 第一本书出版奖。他还是《重新思考古代晚期的“权威​​”：犹太和基督教传统中的作者身份、法律和传播》一书的共同编辑（Routledge，2018 年），也是众多学术文章和流行论文的作者。他是哈佛的斯塔尔研究员。他目前在纽约希伯来联合学院-犹太宗教学院担任古代犹太教助理教授。

Charlotte Hand目前是一名博士。牛津大学的候选人。她的研究兴趣包括 19 世纪的美国文学、书籍的历史、美国的​​性别和性，以及时间和地区政治。她的博士论文研究了 19 世纪女性小说中“真正的女人”（中产阶级白人女性形象的理想化形象）的区域性和时间性修正。

Jenna M. Herdman是博士。卡尔顿大学英语系的候选人。她的研究探讨了维多利亚时代的印刷文化与数字人文学科之间的交集，她的博士工作包括由亨利·梅休（Henry Mayhew ）开发的伦敦劳工和伦敦穷人的关键数字版。她的作品已发表在Victorian Periodicals Review和Journal of Victorian Culture上。

Sarah Lubelski是加拿大社会科学与人文研究委员会瑞尔森大学英语系博士后研究员（正在更名中）。她的研究探讨了性别对出版业和出版过程的影响，重点关注女性工作和出版业的女性化。她曾在杂志Archivaria和Publishing History上发表过文章。

詹妮弗·马努基安（Jennifer Manoukian）是一名博士。加州大学洛杉矶分校近东语言与文化系候选人，西亚美尼亚语文学翻译。她的研究兴趣包括奥斯曼亚美尼亚社会、文化和思想史、语言纯粹主义以及翻译研究和书籍史之间的联系。

维克·玛蒂娜·普洛克 ( Vike Martina Plock ) 是埃克塞特大学文学与文化教授。她着有《乔伊斯、医学和现代性》（2010 年）、《现代主义、时尚和女性写作》（2017 年）和《二战期间的 BBC 德国服务：向敌人广播》（2021 年）。她目前正在编写一个关于现代主义作家作为企鹅图书作者的新书项目。

Howard Rambsy II是南伊利诺伊大学爱德华兹维尔分校的杰出文学研究教授，教授非裔美国文学、文化史和漫画书课程。他是《坏人：黑人作家的创意试金石》（2020 年）和《黑人艺术企业》（2011 年）的作者。

Drew Starling是博士。宾夕法尼亚大学历史系候选人。他正在进行的论文“从冥想到信息：在Unigenitus之后阅读”，考虑了 18 世纪早期的宗教争议如何以持久的方式改变了法国的阅读实践。除了这项研究之外，他还主要研究作者身份、印刷、阅读和接收的历史。本文的早期版本于 2021 年获得了宾夕法尼亚大学的首届“Stallybrass Prize in the History of Material Texts”。

Germaine Warkentin是多伦多大学的英语名誉教授，也是加拿大皇家学会会员。她发表并评论了广泛的主题：现代加拿大文学、菲利普·西德尼、文艺复兴时期的诗歌、诺斯罗普·弗莱、土著铭文，以及最近的古典时期，这些领域因她对手稿和材料书的兴趣而统一。她目前的项目是一项名为“The Codex: A Critical History”的研究，内容是在第一个千年的早期几个世纪中设计法典格式，以及它在当前数字化时代的遗产。