In this article, I discuss how street art has become an ally of urban policies molded by the creative city paradigm in marginalized neighborhoods of Lisbon (Portugal). Based on a dense ethnography of a peripheral neighborhood of this Southern European city, I follow the trail left by how public power uses the commodification of street art as an instrument for urban regeneration, touristification, and management of inequalities. The different meanings and interests around this policy are examined in street art festivals and tours, focused on the participation of young people as local guides. This urban policy has changed the negative public image of the neighborhood, with street art being combined with a multicultural experience commodified in guided tours for tourists. However, by ignoring the opinions of the residents on the interventions, this policy follows a top-down approach in which street art aesthetics operate as a device of subjugation and maintenance of the subaltern, beautifying processes of exclusion.

在本文中，我将讨论街头艺术如何成为里斯本（葡萄牙）边缘化社区的创意城市范式塑造的城市政策的盟友。基于对这个南欧城市周边社区的密集民族志，我追随公共权力如何利用街头艺术的商品化作为城市更新、旅游化和不平等管理的工具所留下的痕迹。围绕这项政策的不同含义和兴趣在街头艺术节和旅游中得到检验，重点关注年轻人作为当地向导的参与。这项城市政策改变了社区的负面公众形象，街头艺术与多元文化体验相结合，为游客提供导游服务。然而，由于无视居民对干预措施的意见，