Abstract This article explores the relationship between film, contemporary art and cultural memory. It aims to set out an overview of the use of film and media in artworks dealing with memory, history and the past. In recent decades, film and media projections have become some of the most common mediums employed in art installations, multi-screen artworks, sculptures, multi-media art, as well as many other forms of contemporary art. In order to examine the links between film, contemporary art and memory, I will firstly take a brief look at cultural memory and, secondly, I will set out an overview of some pieces of art that utilize film and video to elucidate historical and mnemonic accounts. Thirdly, I will consider the specific features and challenges of film and media that make them an effective repository in art to represent memory. I will consider the work of artists like Tacita Dean, Krzysztof Wodiczko and Jane and Louise Wilson, whose art is heavily influenced and inspired by concepts of memory, history, nostalgia and melancholy. These artists provide examples of the use of film in art, and they have established contemporary art as a site for memory.

中文翻译：

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电影和媒体作为当代艺术记忆的场所

摘要 本文探讨了电影、当代艺术和文化记忆之间的关系。它旨在概述电影和媒体在处理记忆、历史和过去的艺术作品中的使用。近几十年来，电影和媒体投影已成为艺术装置、多屏艺术品、雕塑、多媒体艺术以及许多其他形式的当代艺术中最常见的媒介。为了检验电影、当代艺术和记忆之间的联系，我将首先简要介绍文化记忆，然后概述一些利用电影和录像来阐明历史和记忆的艺术作品. 第三，我将考虑电影和媒体的具体特征和挑战，使它们成为艺术中有效的存储库来代表记忆。我会考虑 Tacita Dean、Krzysztof Wodiczko 和 Jane 和 Louise Wilson 等艺术家的作品，他们的艺术深受记忆、历史、怀旧和忧郁等概念的影响和启发。这些艺术家提供了在艺术中使用电影的例子，他们将当代艺术建立为记忆的场所。