Abstract:The research presented herein provides insight into the use of chronological and geographical organization in the management of noninstitutional graffiti art image collections online. The use of smartphones and other GPS-enabled technology may lead one to expect precision in the geographic location of images, but this is not the norm when image galleries are often based on submissions from a large variety of sources, a small percentage of which may include the artists of the original works. The fact that graffiti art is very often carried out illegally influences the granularity of geographic information provided by those who submit photos to online graffiti art websites, as well as the willingness of those managing the websites to divulge precise information. Concerning the element of time, images added to the websites also lack precision in the differentiation of when a work was completed, modified, painted over, buffed or otherwise removed, photographed, or added to the image collection. Despite these challenges, time and, even more so, space remain commonly encountered organizational divisions used by those who manage online image galleries of graffiti art.

中文翻译：

---

在线涂鸦艺术图像收藏组织中的时间和空间

摘要：本文介绍的研究提供了对按时间顺序和地理组织在管理在线非机构涂鸦艺术图像收藏中的使用的见解。使用智能手机和其他支持 GPS 的技术可能会导致人们期望图像的地理位置很精确，但这不是常态，因为图像库通常基于来自各种来源的提交，其中一小部分可能包括原创作品的艺术家。涂鸦艺术经常被非法进行，这一事实影响了向在线涂鸦艺术网站提交照片的人提供的地理信息的粒度，以及网站管理人员泄露准确信息的意愿。关于时间因素，添加到网站的图像也缺乏精确区分作品何时完成、修改、涂漆、抛光或以其他方式移除、拍照或添加到图像集的时间。尽管存在这些挑战，但时间，甚至更重要的是，空间仍然是管理涂鸦艺术在线图像画廊的人经常遇到的组织划分。