This article analyses the role of ‘Skogler’ (Ángel Cortés Gracia), a photographer who worked for the insurgent Falangist forces in the city of Zaragoza, the capital of Aragón, from the beginning of the Spanish Civil War. Skogler’s strong and early ties to the fascist movement, going back years before the war, suggest a special profile of an individual who supported the Falangist party by means of visual propaganda and printed photographs. Most of the photographs selected for study here have never been published before. They were shot in the early days of the military uprising against the Republic and help give us a more accurate understanding of armed fascism in the Aragonese capital, which ultimately fell to the rebels. This paper is part of an ongoing research project and exhibition to analyse and describe the contents and physical characteristics of the Skogler Archive, composed of more than 3,500 negatives recovered in diverse chronological phases.

本文分析了“Skogler”（Ángel Cortés Gracia 饰）的角色，他是一名摄影师，从西班牙内战开始就在阿拉贡首府萨拉戈萨为叛乱的长枪党武装工作。斯科格勒早年与法西斯运动有着密切的联系，可以追溯到战前数年，这表明他具有通过视觉宣传和印刷照片支持长枪党的特殊形象。此处选择用于研究的大部分照片以前从未发表过。他们在反对共和国的军事起义初期被枪杀，有助于我们更准确地了解阿拉贡首都的武装法西斯主义，最终落入叛军之手。