Fascism invites its adherents to be part of something greater than themselves, invoking their longing for honor and glory, passion and heroism. An important avenue for articulating its affective dimension is cultural production. This article investigates the role of violence and passion in contemporary Swedish-language fascist fiction. The protagonist is typically a young white man or woman who wakes up to the realities of the ongoing white genocide through being exposed to violent crime committed by racialized aliens protected by the System. Seeking revenge, the protagonist learns how to be a man or meets her hero, and is introduced to fascist ideology and the art of killing. Fascist literature identifies aggression and ethnical cleansing as altruistic acts of love. With its passionate celebration of violence, fascism hails the productivity of destructivity, and the life-bequeathing aspects of death, which is at the core of fascism’s urge for national rebirth.

法西斯主义邀请其追随者成为比他们更伟大的事物的一部分，唤起他们对荣誉和荣耀、激情和英雄主义的渴望。阐明其情感维度的一个重要途径是文化生产。本文探讨了暴力和激情在当代瑞典语法西斯小说中的作用。主角通常是一个年轻的白人男性或女性，他们通过暴露于受系统保护的种族化外星人所犯下的暴力犯罪而意识到正在进行的白人种族灭绝的现实。为了复仇，主角学习如何做人或遇到她的英雄，并被引入法西斯意识形态和杀戮艺术。法西斯文学将侵略和种族清洗视为无私的爱的行为。以其对暴力的热情庆祝，