The relevance of the study of the historical hermeneutics of musical styles is determined by the need to find a philosophical basis for changing the cultural paradigm and the desire to return classical canons to musical art in particular. The aim of the work is to analyse the characteristic features of the interpretation of musical styles in accordance with the principles of historical hermeneutics on the example of jazz music. The research was conducted in two stages on the basis of interdisciplinary, systematic and hermeneutical approaches using general scientific methods of cognition: analysis, synthesis, systematization, comparison and ascent from the abstract to the concrete. In the process of scientific research, the views of researchers on the interpretation and understanding of hermeneutics in the context of musical art were considered; a general characteristic of the hermeneutics of musical styles in accordance with historical and philosophical prerequisites was given; the main elements of the theoretical model of musical philosophy of interpretation, which include critical interpretation, the purpose of interpretation, compatibility with description and limitation by requirements were described; the author’s concept of interpretation of musical styles, formed at three levels, were proposed; the characteristics of the hermeneutics of jazz style, in particular the presence of musical improvisational discourse, historical duality, transcendentality of content and form, advertising integration are determined; the article summarizes the specifics of jazz in accordance with two components: the European harmonic system and the fret principles of blues intonation, which made it possible to identify and generalize the theory of interpretation of jazz in the historical and philosophical paradigm. The practical value of scientific work consists in providing a comprehensive hermeneutical base of jazz style in order to further improve the practical application of musical style by teachers, students, musicians and specialists in the field of musical art.

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音乐风格的历史诠释学

音乐风格历史诠释学研究的相关性取决于寻找改变文化范式的哲学基础的需要，以及将古典经典回归音乐艺术的愿望。作品的目的是以爵士音乐为例，按照历史诠释学的原则，分析音乐风格诠释的特点。该研究在跨学科、系统和解释方法的基础上，使用一般科学的认知方法分两个阶段进行：分析、综合、系统化、比较和从抽象到具体的上升。在科学研究过程中，考虑了研究人员对音乐艺术语境下诠释学的解读和理解的看法；根据历史和哲学前提，给出了音乐风格诠释学的一般特征；阐述了音乐诠释哲学理论模型的主要要素，包括批判性诠释、诠释目的、与描述的相容性和受要求的限制；提出了作者在三个层次上形成的曲风诠释理念；爵士风格诠释学的特点，特别是音乐即兴话语的存在、历史的二重性、内容和形式的超越性、广告的整合；这篇文章根据两个组成部分总结了爵士乐的细节：欧洲和声系统和布鲁斯语调的品格原则，这使得在历史和哲学范式中识别和概括爵士乐解释理论成为可能。科学工作的实用价值在于提供一个全面的爵士风格诠释学基础，以进一步提高音乐艺术领域教师、学生、音乐家和专家对音乐风格的实际应用。