Abstract What happens if architectural knowledge is not mediated through drawing or does not produce any type of record? How can an architectural archive exist and make sense in a context where the circulation of knowledge and the emergence of spatialities leave no physical traces? This essay offers insights into the traces left by undrawn spatialities and how they could be recorded and interpreted in architectural archives based on observations on the history of the Sahrawi refugee camps in archiving oral memories in collaboration with the Sahrawi Ministry of Culture. A project was launched to archive and maintain nomadic knowledge circulation that has been short-circuited by protracted immobilization. This essay proposes that gestures, words and bodies- as producers of undrawn architecture -allow other regimes and traces of spatialities to emerge.

中文翻译：

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未绘制的空间。从撒哈拉难民营的历史看建筑档案

摘要 如果建筑知识不通过绘画或不产生任何类型的记录，会发生什么？在知识的流通和空间的出现没有留下任何物理痕迹的背景下，建筑档案如何存在并有意义？本文基于与撒哈拉文化部合作对撒哈拉难民营历史的观察，对未绘制的空间留下的痕迹以及如何在建筑档案中记录和解释这些痕迹提供了见解。启动了一个项目，以存档和维护因长期固定而短路的游牧知识流通。这篇文章提出，手势，