ABSTRACT

At the dawn of the nineteenth century, the Basque language, or Euskera, was eminently popular. The vast majority of written works in the language were religious books. This would change significantly throughout the first third of the century with a notable increase in the number of texts in this language and a change in content; published texts were political or written with, and about, hymns and dances, all in a more manageable format than their predecessors. This article seeks to understand this quantitative and thematic change, and of format, which was closely linked to the process of popular politicisation experienced in the Hispanic monarchy around that time. I will untangle the motives for creating and disseminating these texts and the reception of the discourses contained therein by the target audience, i.e. the popular classes, for whom a modern political language, until then indiscernible in this language, was created or adapted. Basque-language printed material was a local manifestation of this context and can aid in understanding similar manifestations in other locations. With this, we can discover the media used to involve marginal and popular (to varying degrees) communities in the emerging public sphere.

摘要

在 19 世纪初，巴斯克语或 Euskera 非常流行。该语言的绝大多数书面作品是宗教书籍。在本世纪的前三分之一期间，这种情况将发生显着变化，这种语言的文本数量显着增加，内容也发生了变化；出版的文本是政治性的，或者是用赞美诗和舞蹈写成的，所有这些都比它们的前辈更易于管理。本文试图理解这种数量和主题的变化以及形式的变化，这与当时西班牙裔君主制经历的大众政治化过程密切相关。我将解开创建和传播这些文本的动机以及目标受众（即大众阶层）对其中包含的话语的接受程度，为他们创造或改编了一种现代政治语言，直到那时在这种语言中难以辨认。巴斯克语印刷材料是这种背景的当地表现形式，可以帮助理解其他地方的类似表现形式。有了这个，我们可以发现在新兴的公共领域中，媒体曾经在不同程度上涉及边缘和流行（不同程度）社区。