ABSTRACT

Despite his apparent prominence as one of the five ‘Young German’ writers whose work was banned by the Bundestagsbeschluß of December 1835, Heinrich Laube is an author whose Vormärz publications are underresearched and inadequately contextualized. This essay seeks to reconstruct a European moment in the work of Laube, beginning with his 1832 book on the Polish November Uprising, and ending with the publication of extracts from the novel trilogy Das junge Europa in August Lewald’s literary journal Europa in 1837. The essay argues that Laube’s European moment has been effaced by state censorship and self-censorship, and by the academic politics that have denied Laube scholarship an adequate historical-critical edition of his works.

摘要

尽管他是1835 年 12 月被联邦议院禁止的五位“年轻德国”作家之一，但他显然是一位杰出的作家，他的《 Vormärz》出版物没有得到充分研究，也没有充分融入背景。这篇文章试图在劳贝的作品中重建一个欧洲时刻，从他 1832 年关于波兰十一月起义的书开始，到 1837 年8 月 Lewald 的文学杂志《欧罗巴》中小说三部曲Das Junge Europa的摘录出版。认为劳伯的欧洲时刻已被国家审查和自我审查以及学术政治抹杀了，这些政治剥夺了劳伯学术对他作品的充分的历史批判版本。