Abstract

The aim of this article is to document, contextualise, and theorise the rebellious actions carried out by artists in Slovenia in 2020–2021, and to present these actions as a continuation of the avant-garde movements of the twentieth century. We focus on the diverse actions and protests carried out by a strong alliance of artists, anti-capitalists, anti-fascists, ecological movements, and other civil structures that continue to challenge the oppressive autocratic powers. When art becomes confrontational, it fights for its autonomy and its production can achieve an aesthetic revolutionary potential. So when it demands the impossible, it fights for its space and position and becomes life itself, it becomes avant-garde. We could therefore say that the politics of aesthetics has a way of producing its own politics, proposing to re-arrange politics, re-configure art as a political issue or assert itself as true politics.

摘要

本文的目的是记录、背景化和理论化斯洛文尼亚艺术家在 2020-2021 年进行的反叛行为，并将这些行为呈现为 20 世纪前卫运动的延续。我们关注由艺术家、反资本主义者、反法西斯主义者、生态运动和其他公民组织组成的强大联盟所开展的各种行动和抗议活动，这些组织继续挑战压迫性的专制权力。当艺术成为对抗性的时候，它就为自己的自主性而斗争，它的生产就可以实现审美革命的潜力。因此，当它要求不可能时，它会为自己的空间和位置而战，并成为生活本身，它就会变得前卫。因此，我们可以说，美学政治有一种产生自己政治的方式，建议重新安排政治，