Abstract

This essay introduces the concept of a temporality of tolerance in Angelina Maccarone’s Fremde Haut (Unveiled, 2005) and investigates how acts of endurance impact the protagonist’s corporeal legibility and sense of belonging. Drawing on concepts of subjectivity and temporality by scholars such as Judith Butler and Elizabeth Povinelli, the analysis investigates how long particular bodies are condoned within socio-cultural and political power structures and at what point they register as queer and simply too much to tolerate. As such, this essay will undertake a reading of the film that grapples with the multilayered quality of subjectivities. It foregrounds how the film’s protagonist navigates the complex force fields of power within German society, in which the character is able to register as present at certain times and is overlooked or rendered invisible at others.

摘要

本文介绍了 Angelina Maccarone 的Fremde Haut中容忍的时间性概念（揭幕, 2005) 并研究了忍耐行为如何影响主人公的身体可读性和归属感。借鉴朱迪思·巴特勒 (Judith Butler) 和伊丽莎白·波维内利 (Elizabeth Povinelli) 等学者的主观性和时间性概念，该分析调查了特定身体在社会文化和政治权力结构中被宽恕了多长时间，以及在什么时候他们被登记为酷儿并且简直无法容忍。因此，本文将对这部电影进行解读，以解决主观性的多层次问题。它突出了影片的主角如何驾驭德国社会中复杂的权力场，其中角色能够在特定时间注册为存在，而在其他时间被忽视或变得隐形。