Music podcasts have proliferated as public discourse about popular music. A significant part of the expanding podcast industry, music podcasts include titles such as All Songs Considered, Switched on Pop, Song Exploder, Sound Opinions, New York Times Popcast, and Lost Notes. These podcasts often feature a combination of conversation and musical selections, which highlight aspects of the music for podcast listeners. In this article, I argue that we should think of music podcasts as persuasive demonstrations of music consumption. Music podcasts present music as a subject for discussion and also implicitly model listening techniques, convincing podcast listeners to adopt specific approaches to music recordings. I explore three podcasts: All Songs Considered, Switched on Pop, and Disability Visibility. I examine how these podcasts present music as their subject, while advancing particular theories of listening that can serve or subvert privileged modes of music reception.

中文翻译：

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考虑所有歌曲：有说服力的音乐播客聆听

随着关于流行音乐的公共讨论，音乐播客激增。作为不断扩大的播客行业的重要组成部分，音乐播客包括诸如考虑所有歌曲,打开流行音乐,歌曲爆炸器,合理意见,纽约时报流行广播， 和丢失的笔记. 这些播客通常结合对话和音乐选段，为播客听众突出音乐的各个方面。在这篇文章中，我认为我们应该将音乐播客视为音乐消费的有说服力的展示。音乐播客将音乐呈现为讨论的主题，并隐含地模拟聆听技巧，说服播客听众采用特定的音乐录制方法。我探索了三个播客：考虑所有歌曲,打开流行音乐， 和残疾能见度. 我研究了这些播客如何将音乐作为他们的主题，同时推进可以服务或颠覆特权音乐接收模式的特定聆听理论。