Anton van den Wyngaerde’s (c. 1490-1571) Panorama of Walcheren in the Plantin-Moretus Museum in Antwerp depicts the mid-sixteenth-century island of Walcheren and the North Sea across ten meters of paper. Its length and extensive geographic coverage make it unique amongst the artist’s extant oeuvre. Primarily known for his depictions of Spanish and Netherlandish cities drawn for King Philip II, Van den Wyngaerde did paint a similar prospect in 1564 for the king’s El Pardo palace. The present panorama (also known as Zeelandia descriptio) owes its origins in part to that project. Though often mined for illustrations of a c. 1550 Walcheren, the drawings themselves have not been studied since 1956, when Jules van Beylen proposed a series of unspecified dates for the entirety’s manufacture. The present study clarifies the timeline for the current Panorama’s generation over several decades. Through examination of the object, its depicted environments, and archival material, at least three discrete working periods and three distinct panoramic sections are proposed. The artist initially travelled across the island sketching its locations sometime between 1547 and 1552. After arriving in Spain in 1562 at Philip II’s request, Van den Wyngaerde compiled his earlier sketches into an overall draft. The first third of the present Panorama belongs to this preparatory stage for a second project. He then produced a more finished, colored drawing from the draft, in which he updated and corrected visual information. The middle section remains from this second stage. The c. 1564 El Pardo painting likely replicated the colored presentation drawing. The third project, undertaken between c. 1567 and c. 1570, copied at least a portion of the painting if not the entire prospect, and remains extant in the right section. The remainders from these projects were then combined at an indeterminate time to form the Panorama as it exists today.

中文翻译：

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Anton van den Wyngaerde 的 Walcheren 全景图的三重项目（约 1547-1570 年）

Anton van den Wyngaerde（约 1490-1571 年）瓦尔赫伦全景在安特卫普的 Plantin-Moretus 博物馆中，这幅画用 10 米长的纸描绘了 16 世纪中叶的 Walcheren 岛和北海。它的长度和广泛的地理覆盖范围使其在这位艺术家现存的作品中独树一帜。Van den Wyngaerde 主要以描绘为国王菲利普二世绘制的西班牙和荷兰城市而闻名，他在 1564 年确实为国王的 El Pardo 宫殿描绘了类似的前景。现在的全景图（也称为热兰属植物描述) 的起源部分归功于该项目。虽然经常被挖掘为 a c 的插图。1550 Walcheren，图纸本身自 1956 年以来就没有被研究过，当时 Jules van Beylen 提出了一系列未指定的整体制造日期。本研究阐明了当前的时间表全景几十年的一代。通过检查对象、其描绘的环境和档案材料，提出了至少三个独立的工作阶段和三个不同的全景部分。艺术家最初在 1547 年至 1552 年之间的某个时间穿越该岛，绘制其位置草图。在 1562 年应菲利普二世的要求抵达西班牙后，Van den Wyngaerde 将他早期的草图整理成一个整体草稿。现在的前三分之一全景属于第二个项目的准备阶段。然后，他从草稿中制作了一幅更完整的彩色绘图，其中他更新并更正了视觉信息。中间部分来自第二阶段。C. 1564 年的 El Pardo 绘画可能复制了彩色演示图。第三个项目，在c之间进行。1567 和 c。1570 年，即使不是整个前景，也至少复制了这幅画的一部分，并且在右侧部分仍然存在。这些项目的剩余部分然后在不确定的时间合并以形成全景因为它存在于今天。