This article is about the signs during the creative stage of one’s self-development. With the acceptance of the creative act as an existential phenomenon, the research considers the creative process as a genuine expression that has been actualized during one’s search for his/her existence. An artist reflects his/her existential being through his/her work to construct an original self, by facing the world and within the struggle to construct the new self that stands beyond confusion. Tarasti’s philosophical approach to “existential semiotics” will be applied to the existential being of the artist Alev Ebuzziya Siesbye, and her creative act will be analyzed by means of the modalities, the semiotic square of being/doing, and the sign processes evident in the field of art. Siesbye’s existential personality and creative acts have been discussed by looking at what she has done in terms of her attitude on clay; her position in the contemporary art world and her artistic interrogations has been discussed in the existential being of the artist with the existential signs.

中文翻译：

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Alev Ebuzziya Siesbye 作品中的存在符号

这篇文章是关于一个人自我发展的创造性阶段的迹象。随着创造性行为被接受为一种存在的现象，研究将创造性过程视为一种真实的表达，在一个人寻求他/她的存在的过程中已经实现。艺术家通过他/她的作品来反映他/她的存在性存在，以构建一个原始的自我，通过面对世界并在斗争中构建超越混乱的新自我。Tarasti 的“存在​​符号学”哲学方法将应用于艺术家 Alev Ebuzziya Siesbye 的存在主义存在，她的创作行为将通过模态、存在/做的符号方块和明显的符号过程来分析。艺术领域。Siesbye 的存在主义人格和创造性行为已经通过观察她在粘土上的态度所做的事情进行了讨论；她在当代艺术界的地位和她的艺术审问已经在艺术家的存在主义存在中被讨论，并带有存在符号。