ABSTRACT

This essay deals with a series of tabernacle doors with Islamic ornamentation and Latin eucharistic inscriptions, made in Christian Andalusi lands ca. 1300–1500, which illustrate the extent of the assimilation of the cultural heritage of al-Andalus by Iberian Christian kingdoms. The origins of this type of tabernacle door are analyzed in connection with the conversion of the Great Mosques of al-Andalus in the thirteenth century, and aspects of the doors’ ornamentation and possible symbolic dimensions are addressed. Further, the doors are compared with similar woodwork produced by interreligious contacts in other regions, emphasizing that certain transcultural phenomena had a global scope in the medieval Mediterranean.

摘要

这篇文章涉及一系列带有伊斯兰装饰和拉丁圣体铭文的会幕门，这些门是在基督教安达卢西土地上制造的。1300–1500，这说明了伊比利亚基督教王国对安达卢斯文化遗产的同化程度。分析了这种会幕门的起源与 13 世纪安达卢斯大清真寺的改建，并讨论了门的装饰和可能的象征意义等方面。此外，将这些门与其他地区宗教间接触生产的类似木制品进行比较，强调某些跨文化现象在中世纪地中海具有全球范围。