How can the teacher open what Charles Taylor describes as the ‘immanent frame’ of a secular self-sufficient view of reality? This article describes two modules studying non-realist literary modes—Gothic and fantasy writing—which seek to do this. God and the Gothic reverses the psychological turn in 19th-century Gothic to examine the way Tzvetan Todorov’s idea of the fantastic hesitation can be used to enable an opening to the transcendent and offers a new way of narrating Victorian Gothic through Gaskell, Oliphant, and Machen. Religion and Fantasy invokes the defamiliarising technique of Victor Shklovsky and the magic idealism of Novalis to connect German and British imaginative writing from Coleridge, through John Ruskin, Charles Kingsley, and Christina Rossetti.

中文翻译：

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制造奇怪：教授 19 世纪的哥特式和奇幻文学

教师如何打开查尔斯·泰勒所描述的世俗自足现实观的“内在框架”？本文描述了两个研究非现实主义文学模式的模块——哥特式和奇幻写作——它们试图做到这一点。上帝与哥特式扭转了 19 世纪哥特式的心理转向，以检验 Tzvetan Todorov 的梦幻般犹豫的想法如何被用来开启超验的大门，并提供了一种通过加斯克尔、奥利芬特和梅亨来讲述维多利亚哥特式的新方式. 《宗教与幻想》援引了维克多·什克洛夫斯基的陌生化技巧和诺瓦利斯神奇的理想主义，将来自柯勒律治、约翰·拉斯金、查尔斯·金斯利和克里斯蒂娜·罗塞蒂的德国和英国富有想象力的写作联系起来。