This article discusses the foundation of the Studio PANaroma de Música Eletroacústica in São Paulo in 1994, an institution of the São Paulo State University (UNESP) and one of the most active research and production centers in the area in the world, contextualizing its conception with the internationalist tendencies present since the beginning of modernism in Brazil. To this end, the text discusses the notion of cultural anthropophagy, as formulated by Oswald de Andrade, discusses a brief history of the first initiatives in the field of electroacoustic music in Brazil, and focuses on the historical importance and the particularity of the Studio PANaroma, which substantially changed the development of electroacoustic music in the country. The studio's activities are described, including the founding of the Studio's loudspeaker orchestra, as well as the studio's main research activities.

中文翻译：

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巴西的 PANaroma 工作室和电声音乐

本文讨论了 1994 年在圣保罗成立的 Studio PANaroma de Música Eletroacústica，这是圣保罗州立大学 (UNESP) 的一个机构，也是该地区世界上最活跃的研究和生产中心之一，将其概念与自现代主义在巴西开始以来就存在的国际主义倾向。为此，本文讨论了奥斯瓦尔德·德·安德拉德 (Oswald de Andrade) 提出的文化食人概念，讨论了巴西电声音乐领域的首批举措的简要历史，并重点介绍了 Studio PANaroma 的历史重要性和特殊性，极大地改变了国内电声音乐的发展。描述了工作室的活动，包括工作室扬声器管弦乐队的成立，