Latin America has a tradition of socially engaged artists. In Mexico since the muralist movement of the 1920s, artists have shown a preoccupation for denouncing social issues in their works. In this article, we propose the concept of Paisaje sonoro social (socially engaged soundscapes), an approach to the composition of sound art that aims to raise awareness about specific social issues experienced in Mexican society. Through the combination of oral testimony, soundscapes (real and imagined), and instrumental and electroacoustic music, Paisaje sonoro social aims to provide a direct communication to the listener to draw attention to a social issue such as child exploitation, migration, poor working conditions for factory workers, poverty, and children working in the touristic industry. Through the analysis of a series of six works we argue that, although Paisaje sonoro social shares features of other genres such as soundscape composition, acousmatic storytelling, and documental sonoro (radio feature) it has fundamental differences.

中文翻译：

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Paisaje Sonoro Social：墨西哥的社会参与音景

拉丁美洲有艺术家参与社会的传统。在墨西哥，自 1920 年代的壁画运动以来，艺术家们在他们的作品中表现出对谴责社会问题的关注。在这篇文章中，我们提出了 Paisaje sonoro social（社会参与音景）的概念，这是一种声音艺术的创作方法，旨在提高人们对墨西哥社会所经历的特定社会问题的认识。通过口头证词、音景（真实的和想象的）以及器乐和电声音乐的结合，Paisaje sonoro social 旨在向听众提供直接沟通，以引起人们对儿童剥削、移民、恶劣工作条件等社会问题的关注工厂工人、贫困人口和在旅游业工作的儿童。通过对一系列六部作品的分析，我们认为，