This article examines the set of four full-page illustrations and a title-page vignette that the Rostock publisher Johann Christian Koppe commissioned Johann Justin Preißler to produce for his edition of Justus Friedrich Wilhelm Zachariae’s Die Tageszeiten (1756). It offers an account of the ways in which the plates fulfil a literary-critical function of making textual knowledge present by reordering textual meaning through a selective reconstitution of the poem’s discursive systems. Creating narrative illustrations that in the scenes they construct create new connections between otherwise distinct textual passages, the full-page plates reinvent Zachariae’s poem by not following the poem’s progressive structure. Instead, they foreground the episodic through the combination of different modes of representation, ranging from realist and sentimental to allegorical, at the same time redacting the sensational.

本文考察了罗斯托克出版商 Johann Christian Koppe 委托 Johann Justin Preißler 为他的 Justus Friedrich Wilhelm Zachariae 的Die Tageszeiten版制作的一套四张整页插图和一个标题页插图（1756 年）。它提供了一种方式，说明了这些板块如何通过选择性地重构诗歌的话语系统来重新排列文本意义，从而实现使文本知识呈现的文学批评功能。在他们构建的场景中创建叙事插图，在其他不同的文本段落之间建立新的联系，整版图版通过不遵循诗歌的渐进结构来重塑 Zachariae 的诗歌。相反，他们通过结合不同的表现方式来强调情节，从现实主义和感伤到寓言，同时编辑耸人听闻的内容。