Abstract

In terms of technical approach, holistic poetics takes the Lord-Foley oral-formulaic theory as the main line, and partially absorbs the concepts, tools and models of “ethnopoetics” and “performance theory”; in methodological terms, it borrows Smuts’ concept of “holism” to grasp the whole picture and characteristics of oral literature from the holistic point of view, while at the same time endeavoring to combine the analytical method with the holistic one; and in terms of world view, it starts with historical materialism as the basis for understanding and analyzing the internal and external laws of oral literature. While emphasizing the synchronic method and paying attention to the relationship and interaction between different factors, holistic poetics introduces the dimension of historical development, thus presenting the artistic features and social functions of oral literature from multiple aspects. Compared with the written word and the Internet, “orality” is an information skill that has a long history but always remains new. As it has been dominant for a long time, it is a reasonable starting point for the “holistic view.”

摘要

在技​​术方法上，整体诗学以Lord-Foley口头程式理论为主线，部分吸收了“民族诗学”和“表演理论”的概念、工具和模型；在方法论上，它借用斯马茨的“整体论”概念，从整体的角度把握口头文学的全貌和特点，同时力求将分析方法与整体方法相结合；在世界观上，以历史唯物主义为基础，认识和分析口头文学的内在规律和外在规律。整体诗学在强调共时方法，关注不同因素之间的关系和相互作用的同时，引入了历史发展的维度，从而从多方面展现口头文学的艺术特色和社会功能。与书面文字和互联网相比，“口头表达”是一种历史悠久但又历久弥新的信息技能。由于它长期处于主导地位，因此它是“整体观”的合理起点。