ABSTRACT

This article examines the evolution of Lev P. Karsavin, the connection between the philosopher’s historical perspective and his ontological constructions, his postulation of the personhood principle of being’s organization, and the common mindsets of the philosophy of all-unity. The author of this article distinguishes between reflections on the future found in Karsavin’s pre-emigration work and the image of the future he creates within the framework of the Eurasianist paradigm. This article presents three variants of representation of the future: the universal, the national-cultural, and the state. The author analyzes the image of the future associated with the coming-to-be of the All-One Humanity, its transformation into a truly symphonic person, and show how this image turns into a concept of the future that affirms the self-development of national culture. The prospect of developing Russia-Eurasia as an ideocratic and statist state that acts as a form of manifestation of the national culture represents the final stage of this evolution.

摘要

本文考察列夫·P·卡尔萨文 (Lev P. Karsavin) 的演变、哲学家的历史视角与其本体论建构之间的联系、他对存在组织的人格原则的假设，以及整体哲学的普遍思维方式。本文作者区分了卡尔萨文移民前作品中对未来的反思和他在欧亚主义范式框架内创造的未来形象。本文介绍了未来表征的三种变体：普遍的、民族文化的和国家的。作者分析了与全一人类的形成相关的未来形象，它转变为一个真正的交响乐人物，并展示这一形象如何转化为肯定民族文化自我发展的未来概念。将俄罗斯-欧亚大陆发展成一个作为民族文化表现形式的专制和国家主义国家的前景代表了这一演变的最后阶段。