Abstract

The wealth of new source discoveries alongside an enormous growth in performing and recording of the music of Jan Dismas Zelenka (1679–1745) over the last twenty years signals a pressing need for a critical edition of his complete works, including a thorough revision of the Zelenka-Werke-Verzeichnis (ZWV). The contributions to this colloquy consider principles around the composition of an editorial team, questions of methodology, cross-border collaborations, strategies for publication of volumes, integration of online and print elements, and lessons that can be learned from other editorial projects. The authors further reflect on how a new critical edition can effectively meet specific needs of performance contexts, and how music analysis—generally absent from Zelenka studies—informs the editorial enterprise in essential ways.

摘要

过去二十年里，大量的新资源发现以及扬·迪斯马斯·泽伦卡（Jan Dismas Zelenka，1679-1745）音乐表演和录音的巨大增长表明，迫切需要对他的全部作品进行批判性版本，包括对泽伦卡工厂（ZWV）。本次研讨会的贡献考虑了编辑团队的组成原则、方法问题、跨境合作、出版卷的策略、在线和印刷元素的整合以及可以从其他编辑项目中吸取的经验教训。作者进一步思考了新的批评版本如何有效地满足表演环境的特定需求，以及泽伦卡研究中通常缺乏的音乐分析如何以重要的方式为编辑企业提供信息。