The goal of this article is to offer a new model for the study of ocularization in film grounded in the semiotic pragmatism of Charles Sanders Peirce. We first present a literature overview addressing the state of research regarding the theorization of ocularization in film studies. Second, we discuss Peirce’s three universal categories (Firstness, Secondness, and Thirdness) on which our model will be based. Third, we argue how the theme of ocularization in film, as outlined in the first part, can be theorized anew through these categories. This will result in the introduction of a nine-field matrix that will allow us to systemize all kinds of instances of subjectivity in cinema. Lastly, we will demonstrate the empirical usefulness of this model by illustrating each of the matrix’ nine categories through a discussion of Steven Soderbergh’s film Kimi (2022).

中文翻译：

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用于分析电影主观性的 Peircean 框架：九场视觉化矩阵

本文的目的是基于查尔斯·桑德斯·皮尔士的符号实用主义，为电影中的视觉化研究提供一个新模型。我们首先介绍了有关电影研究中眼化理论化研究现状的文献综述。其次，我们讨论我们的模型所基于的皮尔士的三个普遍范畴（第一性、第二性和第三性）。第三，我们讨论了如何通过这些类别重新理论化电影中的眼睛化主题，如第一部分所述。这将导致引入九场矩阵，使我们能够系统化电影中各种主观性实例。最后，我们将通过讨论 Steven Soderbergh 的电影来说明矩阵的九个类别中的每一个，从而证明该模型的实证有用性君美(2022)。