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Displaying Inner Experience Through Language and Body in Community Theater Rehearsals
Human Studies ( IF 0.431 ) Pub Date : 2023-06-26 , DOI: 10.1007/s10746-023-09674-6
Katariina Harjunpää , Arnulf Deppermann , Marja-Leena Sorjonen

Using multimodal conversation analysis, we investigate how novices learning the “inner body” acting technique in the context of a community theater project share their experiences of the bodily exercises through verbal and embodied conduct. We focus on how verbal description and bodily enactment of the experience mutually elaborate each other, and how the experienced sensorimotor and affective qualities are made to be witnessed and recognized by the others. Participants describe their experiences without naming qualities. Instead, a display of the experienced qualities is made accessible to others through coordinating the unfolding talk and bodily conduct. In particular, we show how grammatical and action projection is fulfilled by interconnected verbal and embodied conduct, with body movement and posture giving off ineffable experiential qualities. The moving body appears both as a source of the experience and as a resource for depicting perceived qualities to others; additional resources (non-specific person reference and gaze aversion) contribute to organizing the subjective and intersubjective layers of the reflection of the experiences. The study contributes to and extends recent research on sensoriality in interaction by focusing on phenomena of proprioception and interoception. The data are two cases drawn from 60 h of video-recordings made in the context of a devised community theater project. The data are in Finnish with English translations.



中文翻译:

在社区剧院排练中通过语言和身体展示内心体验

使用多模态对话分析,我们调查了在社区剧院项目中学习“内在身体”表演技巧的新手如何通过言语和具体行为分享他们的身体练习经验。我们关注的是体验的口头描述和身体表演如何相互阐述,以及体验到的感觉运动和情感品质如何被他人见证和认可。参与者描述了他们的经历,但没有指出他们的品质。相反,通过协调展开的谈话和身体行为,可以向其他人展示所体验到的品质。特别是,我们展示了语法和动作投射是如何通过相互关联的言语和具体行为来实现的,身体的动作和姿势散发出难以言喻的体验品质。移动的身体既是体验的来源,也是向他人描绘感知品质的资源;额外的资源(非特定的人参考和凝视厌恶)有助于组织体验反映的主观和主体间层。该研究通过关注本体感受和内感受现象,促进并扩展了交互中感觉的最新研究。这些数据是从一个设计的社区剧院项目中录制的 60 小时视频中提取的两个案例。数据为芬兰语,并附有英语翻译。移动的身体既是体验的来源,也是向他人描绘感知品质的资源;额外的资源(非特定的人参考和凝视厌恶)有助于组织体验反映的主观和主体间层。该研究通过关注本体感受和内感受现象,促进并扩展了交互中感觉的最新研究。这些数据是从一个设计的社区剧院项目中录制的 60 小时视频中提取的两个案例。数据为芬兰语,并附有英语翻译。移动的身体既是体验的来源,也是向他人描绘感知品质的资源;额外的资源(非特定的人参考和凝视厌恶)有助于组织体验反映的主观和主体间层。该研究通过关注本体感受和内感受现象,促进并扩展了交互中感觉的最新研究。这些数据是从一个设计的社区剧院项目中录制的 60 小时视频中提取的两个案例。数据为芬兰语,并附有英语翻译。该研究通过关注本体感受和内感受现象,促进并扩展了交互中感觉的最新研究。这些数据是从一个设计的社区剧院项目中录制的 60 小时视频中提取的两个案例。数据为芬兰语,并附有英语翻译。该研究通过关注本体感受和内感受现象,促进并扩展了交互中感觉的最新研究。这些数据是从一个设计的社区剧院项目中录制的 60 小时视频中提取的两个案例。数据为芬兰语,并附有英语翻译。

更新日期:2023-06-27
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