For Anselm Kiefer, his painting shows that, that something exists “shows that there is also nothingness.” The moment of visibility is also the moment of our exposure in/with/through nothing (in a gerundive sense) elemental in the happening of the visible. Painting bears ways of exposing the becoming of the visible and ultimately of consciousness, both sensible and intellectual, in/through/with emptying and nothing, i.e., in the happening of the seer and the seen, in that coming into being of existing, we are exposed to the insight that “there is also nothingness.” The paper offers a series of transpositions, a series of ways of experiencing visibility and vision found in looking at specific images and paintings. The transpositions expose us to blindness, emptying, gaps, and loss in the happening of the visible, which, in displacing the certainty of rational subjective seeing/consciousness, lead to the quickening of vision and the visible anew.

中文翻译：

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换位：绘画与无法辨认的现象学片段

对于安塞姆·基弗来说，他的画表明，某些事物的存在“表明也存在虚无”。可见的时刻也是我们暴露在/与/穿过虚无的时刻英（动名词意义上）可见事物发生的基本要素。绘画具有揭示可见意识和最终意识的形成的方式，无论是感性的还是理智的，在空虚中/通过/空虚英没有英，即，在看见者和被看见者的发生中，在存在的形成中，我们接触到“也有虚无”的洞察力。这篇论文提供了一系列的换位，一系列在观看特定图像和绘画时体验可见性和视觉的方式。这种换位使我们面临可见事物发生时的盲目、空虚、间隙和损失，这在取代理性主观观看/意识的确定性时，导致视觉和可见事物的重新加速。