ABSTRACT

The Verona Orational, copied in Tarragona in the early eighth century, contains processional rubrics hinting at liturgical movement between churches on Carnes Tollendas Sunday at the beginning of Lent. The rubrics mention three places: Holy Jerusalem, Saint Fructuosus’s and Saint Peter’s. This essay examines the processional rubrics in tandem with the urban architecture of Visigothic Tarragona to place these processions as nearly as possible in their topographical context. We also consider the likely character of the chants sung during the processions, drawing both on the Verona Orational texts and the processional chants for Carnes Tollendas Sunday preserved in later manuscripts. This unique sonic and spatial experience signalled the beginning of Lent to the entire city, Christianizing the urban space.

摘要

八世纪初在塔拉戈纳抄写的维罗纳演讲稿包含游行标题，暗示四旬期开始的卡内斯·托伦达周日教堂之间的礼拜仪式。标题中提到了三个地方：圣耶路撒冷、圣弗鲁克托苏斯教堂和圣彼得教堂。本文将游行的标题与西哥特式塔拉戈纳的城市建筑结合起来进行研究，以尽可能地将这些游行置于其地形背景中。我们还考虑了游行期间所唱圣歌的可能特征，借鉴了维罗纳演讲文本和后来手稿中保存的卡内斯·托伦达周日的游行圣歌。这种独特的声音和空间体验向整个城市标志着四旬斋的开始，使城市空间基督教化。