ABSTRACT

In this paper, I aim to show the importance of transferring metaphors from our aesthetic experiences to social praxis. I will therefore focus on reverberation, a phenomenon in the perceptual field of sound, to argue that it offers a deep understanding of social experiences. Reverberation is a secondary concept in Paul Ricœur's hermeneutic phenomenology, but it plays a crucial role in his analysis of imagination. Firstly, I will examine Ricœur's analysis of the phenomenon of reverberation within the framework of his phenomenology of imagination. Secondly, I will read Ricœur's reference to G. Bachelard, considering the reverberation in the poetic image. Thirdly, I will study his reference to E. Minkowski, who thinks about reverberation within a cosmological scope. Finally, based on these analyses, I will outline the transfer of the phenomenon of reverberation to the field of social praxis.

摘要

在本文中，我的目的是展示将​​隐喻从我们的审美经验转移到社会实践的重要性。因此，我将重点关注混响（声音感知领域的一种现象），认为它提供了对社会体验的深刻理解。混响在保罗·利科的解释学现象学中是次要概念，但在他的想象力分析中起着至关重要的作用。首先，我将在利科的想象现象学框架内考察他对混响现象的分析。其次，我将阅读利科对巴什拉的提及，考虑到诗意意象中的回响。第三，我将研究他对 E. Minkowski 的参考，他在宇宙学范围内思考混响。最后，基于这些分析，