Zusammenfassung The analysis of space-semantic oppositions – as developed by Jurij Lotman and extended by Karl Renner and Hans Krah – plays a much greater role in analysing prose than poetry. However, the focus on spatial and temporal oppositions, the connection of topological and semantic features of subspaces, as well as possible borders and their potential crossing can make a significant contribution to the interpretation of lyrical texts and also guide the interpretation of non-spatial text structures – such as word choice, motifs, and perspective – in appropriate poems. This is illustrated in the analysis of the poems “Indvielsen” (A. W. Schack von Staffeldt, 1804); “Borte!” (Henrik Ibsen, 1871); “Hvis jeg står” (Inger Christensen, 1962) and “Resan” (Tomas Tranströmer, 1962). The paper further makes a general point about a specific space semantics for lyrical texts.

中文翻译：

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Raum- und zeitsemantische Oppositionen als Analysekriterium: Beispiellektüren skandinavischer Gedichte (斯塔菲尔特、易卜生、克里斯滕森、特兰斯特罗默)

Zusammenfassung 空间语义对立的分析——由尤里·洛特曼（Jurij Lotman）发展并由卡尔·雷纳（Karl Renner）和汉斯·克拉赫（Hans Krah）扩展——在散文分析中比诗歌发挥着更大的作用。然而，对时空对立、子空间的拓扑和语义特征的联系以及可能的边界及其潜在交叉的关注可以对抒情文本的解释做出重大贡献，也可以指导非空间文本的解释适当诗歌中的结构——例如词语选择、主题和视角。这在对诗歌《Indvielsen》（AW Schack von Staffeldt，1804）的分析中得到了说明；“博尔特！” （亨利克·易卜生，1871）；“Hvis jeg står”（Inger Christensen，1962）和“Resan”（Tomas Transströmer，1962）。