While numerous scholars have analyzed the influence of immigration on Jewish visual culture, few have focused on the Hungarian-Israeli scene. This article seeks to resolve some of the lacunae surrounding expressions of Hungarian immigrant experiences in Israeli art by analyzing the Annunciation theme in Hedi Tarjan’s series Homage to Fra Angelico, which was painted in the 1980s and the 2000s. A woman artist with a complex Christian-Jewish identity, Tarjan expressed her cross-cultural and interfaith experiences in her paintings and can be regarded as a “Jewish Diasporist” in the sense elaborated in American artist R. B. Kitaj’s manifestos. The article concludes by arguing that Tarjan, as a Jewish artist who emigrated from Hungary to Israel, faced unique professional, cultural, and religious challenges.

中文翻译：

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与散居国外的天使摔跤：弗拉·安吉利科在匈牙利-以色列艺术中的遗产注释


虽然许多学者分析了移民对犹太视觉文化的影响，但很少有人关注匈牙利-以色列场景。本文旨在通过分析 Hedi Tarjan 创作于 1980 年代和 2000 年代的《向 Fra Angelico 致敬》系列中的天使报喜主题，试图解决以色列艺术中围绕匈牙利移民经历表达的一些缺陷。塔里扬是一位具有复杂的基督教犹太身份的女性艺术家，她在绘画中表达了她的跨文化和跨信仰经历，可以被视为美国艺术家 R. B. Kitaj 宣言中阐述的意义上的“犹太散居者”。文章最后指出，塔里安作为一名从匈牙利移民到以色列的犹太艺术家，面临着独特的职业、文化和宗教挑战。