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Reconsidering the Chaîne Opératoire: At the Crossroad Between People and Materials
Open Archaeology Pub Date : 2023-12-13 , DOI: 10.1515/opar-2022-0296
Marie-Elise Porqueddu 1 , Claudia Sciuto 2 , Anaïs Lamesa 3
Affiliation  

This article is an introductory contribution to our Special Issue Reconsidering the Chaîne Opératoire: Towards a Multifaceted Approach to the Archaeology of Techniques. The chaîne opératoire is a central and fundamental concept for archaeological studies that has been fully appropriated and repurposed by several generations of researchers. In this paper, we would like to present some of the points discussed and illustrated by the various articles in this special issue. The aim is to highlight theoretical and practical considerations in various fields, with a diachronic focus. From the biographical approach to the study of artefacts to the challenges of interdisciplinarity through cognitive and sensory approaches, the theoretical discussion is rich and innovative, acknowledging that the chaîne opératoire can be used as a tool for deciphering the complex network of artefacts, environments, and societies of the past and present.

中文翻译:


重新思考Chaîne Opératoire:处于人与材料的十字路口



本文是对我们的特刊《重新考虑Chaîne Opératoire:迈向技术考古学的多方面方法》的介绍性贡献。剧院是考古学研究的核心和基本概念,已被几代研究人员充分利用和重新利用。在本文中,我们将介绍本期特刊中各篇文章讨论和说明的一些观点。目的是强调各个领域的理论和实践考虑,并具有历时性的重点。从传记方法到文物研究,到通过认知和感官方法应对跨学科的挑战,理论讨论丰富而创新,承认链歌剧可以作为破译文物、环境和艺术的复杂网络的工具。过去和现在的社会。
更新日期:2023-12-13
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