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Notes on Contributors
Parergon Pub Date : 2023-12-18 , DOI: 10.1353/pgn.2023.a914806


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  • Notes on Contributors

Kate Allan recently completed her doctorate on ‘Alchemical Poetics in Seventeenth-Century Women’s Writing’ at the University of Oxford. Prior to this, she completed an MA in English at the University of St Andrews followed by an MSt in English (1550–1700) at Oxford. Her research considers the engagement of seventeenth-century women poets with contemporary scientific culture, alchemical practice, and poetics. She co-convened the 2021 symposium ‘Women and Agency: Transnational Perspectives c. 1450–1790’, from which this special issue arose. Her work is forthcoming in The Palgrave Encyclopedia of Early Modern Women’s Writing, and she is a research assistant for the Australian Research Council–funded Future Fellowship project, ‘Marginalia and the Early Modern Woman Writer (1530–1660)’.

Bernadette Andrea is a Professor in the Department of English at the University of California, Santa Barbara, and an affiliate faculty in the Center for Middle East Studies, the Comparative Literature Program, and the Department of Feminist Studies at UCSB. She is the author of The Lives of Girls and Women from the Islamic World in Early Modern British Literature and Culture (University of Toronto Press, 2017) and Women and Islam in Early Modern English Literature (Cambridge University Press, 2007). She edited and introduced English Women Staging Islam, 1696–1707 (University of Toronto, Centre for Reformation and Renaissance Studies, 2012) for the series ‘The Other Voice in Early Modern Europe’. Her co-edited collections include Travel and Travail: Early Modern Women, English Drama, and the Wider World, with Patricia Akhimie (University of Nebraska Press, 2019), and Early Modern England and Islamic Worlds, with Linda McJannet (Palgrave Macmillan, 2011).

Liza Blake is an Associate Professor of English at the University of Toronto, with research interests in literature, philosophy, and science; women writers; textual editing; and asexuality studies. She has published articles in ELR, SEL, PBSA, JEMCS, Criticism, and postmedieval. She has co-edited Arthur Golding’s ‘A Moral Fabletalk’ and Other Renaissance Fable Translations, as well as Lucretius and Modernity. She maintains the online edition ‘Margaret Cavendish’s Poems and Fancies: A Digital Critical Edition’ (<http://library2.utm.utoronto.ca/poemsandfancies/>), as well as the resource ‘The Asexuality and Aromanticism Bibliography’ (<https://acearobiblio.com/>). She is one of three general editors of The Complete Works of Margaret Cavendish, a twenty-volume series under contract with Punctum Books.

Cassandra (Cassie) Gorman is Associate Professor of Early Modern Literature and Philosophy at Anglia Ruskin University, Cambridge. Her research explores ways in which English imaginative literature of the seventeenth century was not only responsive to but a part of scientific progress, with particular interests in early modern women’s writing and the reciprocal influence between corpuscular philosophy and theological thought. Cassie’s monograph The Atom in Seventeenth-Century Poetry (D. S. Brewer, 2021) investigates a remarkable ‘poetics of the atom’ in the early modern period, through which poets and philosophers sought positive, spiritual motivation in the concept of material indivisibility. She has also published papers on cupids in sixteenth-century love lyric, the Cambridge Platonist Henry More, Lucy Hutchinson’s interpretation of matter and spirit, and Thomas Traherne’s physics and metaphysics. She co-edited a volume of essays on the latter with the theologian Elizabeth Dodd, Thomas Traherne and Seventeenth Century Thought (D. S. Brewer, 2016).

Mallory N. Haselberger is a letterpress printer, bibliographer, and Master of Library and Information Science candidate in the College of Information Studies at the University of Maryland, College Park. She is passionate about learning from the past by doing, whether reimagining the handpress period by working with a Gutenberg-style printing press and binding her own artists’ books, or by introducing students to the wonders of working with archival documents that have passed through innumerable hands for hundreds of years. Mallory previously earned Master of Arts degrees in Art History and English Literature, with research projects focusing on women artists, authors, and letterpress printers, early modern artistic manuals, and artists’ books. Her most recent work is included in the edited volume Teaching the History of the Book (University of Massachusetts Press, 2023).

Chris Higgins is Head of History at Folkestone School for Girls. He holds a Masters from the Courtauld Institute, University of...



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贡献者注释

代替摘要,以下是内容的简短摘录:

  • 贡献者注释

Kate Allan 最近在牛津大学完成了“十七世纪女性写作中的炼金诗学”博士学位。在此之前,她在圣安德鲁斯大学获得了英语硕士学位,随后在牛津大学获得了英语硕士学位(1550-1700)。她的研究考虑了十七世纪女性诗人与当代科学文化、炼金术实践和诗学的接触。她共同召集了 2021 年研讨会“女性与机构:跨国视角c。 1450-1790’,本特刊即由此产生。她的作品即将发表在《帕尔格雷夫早期现代女性写作百科全书》中,她是澳大利亚研究委员会资助的未来奖学金项目的研究助理,“边注与早期现代女作家(1530-1660)'。

Bernadette Andrea 是加州大学圣塔芭芭拉分校英语系教授,也是中东研究中心、比较文学项目、和加州大学圣巴巴拉分校女权主义研究系。她是早期现代英国文学和文化中伊斯兰世界女孩和妇女的生活(多伦多大学出版社,2017 年)和 < /span>,作者为 Linda McJannet(帕尔格雷夫·麦克米伦,2011 年)。早期现代英格兰和伊斯兰世界(内布拉斯加大学出版社,2019 年) ),以及旅行与旅行:早期现代女性、英国戏剧和更广阔的世界(多伦多大学改革与文艺复兴研究中心,2012 年)现代早期欧洲的声音”。她与 Patricia Akhimie 合编的作品集包括English Women Staging Islam, 1696–1707(剑桥大学出版社,2007 年)。她为“The Other”系列编辑并介绍了早期现代英国文学中的女性与伊斯兰教

Liza Blake 是多伦多大学英语系副教授,研究兴趣包括文学、哲学和科学;女作家;文本编辑;和无性恋研究。她曾在ELRSEL、< a i=6>PBSA、JEMCS批评< a i=11> 和中世纪后。她共同编辑了亚瑟·戈尔丁的《道德寓言》和其他文艺复兴时期寓言翻译作品,以及卢克莱修和现代性。她维护在线版本“玛格丽特·卡文迪什的诗歌和幻想:数字评论版”(玛格丽特·卡文迪什全集的三位总编辑之一,这是与 Punctum Books 签约的二十卷系列丛书。

Cassandra (Cassie) Gorman 是剑桥安格利亚鲁斯金大学早期现代文学和哲学副教授。她的研究探索了 17 世纪的英国想象文学不仅对科学进步做出反应,而且成为科学进步的一部分,尤其对现代早期女性写作以及微粒哲学和神学思想之间的相互影响特别感兴趣。卡西的专着十七世纪诗歌中的原子(D. S. Brewer,2021)研究了近代早期非凡的“原子诗学”,通过它诗人和哲学家在物质不可分割的概念中寻求积极的精神动力。她还发表了有关十六世纪爱情抒情诗中的丘比特、剑桥柏拉图主义者亨利·摩尔、露西·哈钦森对物质和精神的解释以及托马斯·特拉赫恩的物理学和形而上学的论文。她与神学家伊丽莎白·多德 (Elizabeth Dodd) 共同编辑了一本关于后者的论文集,托马斯·特拉赫恩和十七世纪思想(D. S. Brewer,2016)。一个>

Mallory N. Haselberger 是一名凸版印刷商、书目编撰者,也是马里兰大学帕克分校信息研究学院图书馆与信息科学硕士候选人。她热衷于从实践中学习过去的经验,无论是通过使用古腾堡式印刷机并装订自己的艺术家书籍来重新想象手压时代,还是向学生介绍处理经过无数次考验的档案文件的奇迹。手数百年。马洛里此前获得了艺术史和英国文学文学硕士学位,研究项目重点关注女性艺术家、作家、凸版印刷商、早期现代艺术手册和艺术家书籍。她最近的作品包含在编辑卷中教学书籍的历史(马萨诸塞大学出版社,2023 年)。

Chris Higgins 是福克斯通女子学校的历史系主任。他拥有英国大学考陶尔德学院的硕士学位......

更新日期:2023-12-18
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