This article explores the narrative functions of domestic accidents in Victorian fiction. Taking Charlotte Yonge's The Pillars of the House (1873) as a case study, it critically parses how popular fiction engaged with competing explanations of how or why accidents occur. As a new understanding of chance, risk, and statistical likelihood in the nineteenth century began to reshape the representation of accidents, narratives navigated shifting concepts of personal misfortune, of providence and poetic justice, as well as of probability. In Yonge's novel, domestic accidents demonstrate risk-management at home, promoting a concept that complicates narrative expectations both of divine punishment and of conventional conversion patterns.

中文翻译：

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维多利亚小说中的家庭事故：占卜、概率和夏洛特·央格的家庭建议

本文探讨了维多利亚时代小说中家庭事故的叙事功能。以夏洛特·央格为例房子的支柱（1873）作为一个案例研究，它批判性地分析了流行小说如何与对事故如何或为何发生的相互竞争的解释相结合。随着十九世纪对机会、风险和统计可能性的新理解开始重塑事故的表述，叙事引导了个人不幸、天意和诗意正义以及概率概念的转变。在央格的小说中，家庭事故展示了家庭的风险管理，推广了一种概念，使对神圣惩罚和传统转换模式的叙事期望变得复杂。