The recognition of a pattern of abstract marks as language is simultaneously obvious and undertheorized. Contemporary “asemic poetry” splits the recognition of language from its lexicality, providing an opportunity to consider this recognition directly. It reveals the necessary intervention of an “intentional function” that justifies considering markings as if they were encoded, i.e., as language. This essential moment of sign formation in written communication typically passes automatically without the need for consideration, but asemic poetry specifically allows meditation on that point of transition, allowing the role of cultural knowledge to become apparent in its identification, as well as the Romantic heritage which rejects mechanical reproduction and automation.

中文翻译：

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论非语义诗歌作为语言的认识

将抽象标记模式识别为语言既是显而易见的，又缺乏理论化。当代“非语义诗歌”将语言的认知与其词汇性分开，为直接思考这种认知提供了机会。它揭示了“有意功能”的必要干预，证明了考虑标记的合理性仿佛它们被编码为语言。书面交流中符号形成的这一重要时刻通常会自动过去，无需考虑，但非语义诗歌特别允许对这一过渡点进行冥想，使文化知识的作用在其识别中变得明显，以及浪漫主义遗产拒绝机械复制和自动化。